MOONLIGHT ORACLE
installation view
DIRECTORS STATEMENT
I created Moonlight Oracle in response to an invitation from The Institute of the Arts and Sciences at UC Santa Cruz to join artists and whale ecologists in a two year dialogue culminating in an exhibition titled Weather and the Whale. Grounded in whale research as an entryway to understanding environmental threats to ocean life, the project provided artists with a unique vantage point to explore and express ecological concerns through aesthetic and embodied practices.
Using the whale as a protagonist—the film draws on the cyclical motion of tides and the symbolic significance of the sea across cultures to offer multiple ways of understanding the complex ecologies sustained by the world‘s oceans.
Original footage from Oaxaca, Senegal, Morocco, and Chile is woven into a choreographed collage, layered with soundscapes, archival images, and media footage of contemporary events from around the world.
This is a pivotal point in human history. We are mired in a crisis, surrounded by irreversible environmental damage and unrelenting greed. Death and destruction is multiplying, with governments actively targeting large swathes of people, particularly the disenfranchised. As a disabled artist working with the communities most impacted, I have direct experience with what it means to survive, resist, and imagine. I believe that art can serve as a catalyst for consciousness raising and collective action in this critical time, empowering others to come together for meaningful change.
"Let this small drop of a film, born from Earth’s waters, serve as an attempt to awaken the waters within us. A spell to break the delusions of white imperialism and their hell on earth. A spell that hypnotizes—from water to water—a deeper knowing. Even if no one sees it, the spell exists and has its own power."
Weather and the Whale is curated by Rachel Nelson, Ari Friedlaender, and Alex Moore with curatorial assistance provided by Mirra-Margarita Ianeva and LuLing Osofsky. It is organized as part of An Aesthetics of Resilience and funded by a University of California Office of the President California Climate Action Seed Grant, with additional support from the Coha Nowark Art + Science Fund.
clear video view
SYNOPSIS
"Some films aim to entertain—Moonlight Oracle aims to haunt. This speculative elegy resists narrative convention and cinematic comfort, drawing viewers into a dreamlike meditation on ecological consciousness amid planetary collapse."
Moonlight Oracle takes its name from the act of foretelling the future by supernatural means. Rather than relying on linear logic, this work invites insight through the cyclical rhythm of tides, the symbolic depths of the sea, and the mythic presence of the Whale. In this space, the ocean becomes a reflective and prophetic mirror—its waters holding knowledge, dreams, and ancestral memory within a fluid, living archive.
The film begins with whales and glowing moons in a magnetic orbit, then plunges into a creation story unfolding beneath the ocean’s surface. From the fiery emergence of magma from undersea volcanoes that shape the Earth’s crust to the vibrant ecosystems sustained by whale falls and hydrothermal vents, we witness life’s origins and continuities. Here, the ancient and the emergent intertwine—our oldest microbial ancestors nourishing future lineages, biodiversity thriving in darkness.
Moonlight Oracle immerses viewers in a multilayered exploration of the ocean as a site of profound contradiction. Atomic bomb testing annihilates ancient lifeforms. Commercial whaling contrasts starkly with sovereign, ancestral subsistence hunting practices. The whale’s form and movement echoes the silhouettes of military rockets, submarines, and corpses—its body mapped with the language of war. The sea is troubled by images of oil spills, capsizing boats of refugees, coral bleaching and glaciers calving signaling the death-dealing forces of imperialism, extraction, and climate collapse. Yet amid these cycles of violence, the ocean churns with suppressed histories—submerged knowledge and memory that resist erasure. Like the tides, the film flows and shifts; time collapses and expands, fast-forwarding, rewinding, elapsing. The soundtrack introduces a change in tone, offering sonic context for scenes that open to possibilities of healing that swirl in water, ceremony and ritual. Animations that turn water into galaxies mingle with visions of submerged civilizations, relics, goddesses, and spacecraft that mirror bioluminescent creatures.
Both sea and shore are charged with contradiction—sites of devastation and survival. In the flickering carousel of images, what emerges is a living archive: a repository of resistance and wisdom—human and more than human—that resurfaces, again and again. As the narrative crests, the oceans mirror a pre-death flashback. It is as if galaxies speak through the Whale’s realm, revealing our deep, cosmic entanglement. The beauty of Earth, provoked by the urgency of its crises, rises as both a reminder of our fragility and a call to protect her.
Taghazout, Morocco 2022
Mia Rollow with
Mustafa Akhannouch
Lac Rose, Senegal 2022
Mia Rollow with
Nafira Kane, Yolanda Gisele, Pape Ndiaye
Playa Elefante, Oaxaca México 2023
Mia Rollow with
Flor Nichim Silvestre, Lesly Herrera Guillén, Luz Viridiana Martínez Trejo, Marcos Galindo, Ozlo, Ulises Garcia Morales
Boca de Cielo, Oaxaca México 2023
Mia Rollow with
Jorge Galguera Reyes
Chloe Lew PhD student in the Bio-Telemetry and Behavioral Ecology Lac at UC Santa Cruz
Whale and Ice Melting audio files.


Mia Eve Rollow
Moontide Divination
2025
Triptych Experimental Film
~20min